CC
Cleo Constantinou
Composing immersive music for games, film and animations. Also available for session musician work.
ABOUT
I have grown up with music from a young age, starting piano lessons very young. As I got older, I wanted to learn as many new things as possible, but in the end decided that the drums were my favourite. I can confidently play drums, piano, bass guitar, electric and acoustic guitar. Using these, as-well as other instruments I pick up along the way, I aim to create masterpieces that convey emotions and stories without uttering a single word.
I'm constantly exploring new sounds and harmonies, getting creative with my sound design and field recording, in hopes that my music will resonate with listeners, evoking feelings and connecting souls through the language of music. Growing up as a neurodivergent individual, music became a safe and reliable way of communicating, free from judgement. I strongly believe that there is something so powerful about the sound of composition, and through my own work, hope to share this idea.
GALLERY
PROJECTS
When composing new tracks, I takes inspiration from current video games/films, using this as the driving force. Some of my favourite composers include Gustavo Santaolalla, Lorne Balfe, Sarah Schachner and Hans Zimmer, to name a few. I take inspiration from the world around me, and am particularly fascinated by how people and elements interact with one another in certain environments.
I have two main composing styles: one more for backing tracks used by singers, in the genre of indie, indie rock, electro-acoustic and ambient, whereas my compositional soundtrack pieces take a more orchestral, narrative direction, usually leaning towards genres like fantasy, acoustic and cinematic.
I work with other musicians to create unique and empowering tracks. This particular one stemmed from a simple guitar loop, then layered with another slight variation, and another on top of that. The track was then adjusted and altered to fit singer/songwriter Gracie de Wolfe’s style.
Taking inspiration from the indie game series Life Is Strange, and others such as Outer Wilds, Firewatch, and Night in the Woods, I use simple melodies, overlapped in complex ways, signifying that two isolated elements can mean something completely new and incredible when blended artistically and carefully.
Showreel
Everybody's Gone to the Rapture - Rescore
BBC Our Planet - Rescore
Pans Labrynth - Rescore
